Editorial Product Review: :Few soloists have owned composers as definitively as Artur Rubinstein could claim Chopin. Rubinstein's delivery of the composer has struck many speechless for its clarity--assurance at once that this is extraordinary, complex music and that it's likable even to general audiences (who could be easily repelled by the music in a lesser pianist's hands). The more than 150 minutes of Rubinstein's Chopin collected here are stellar, from the seductive nocturnes (recorded in 1965) to Rubinstein's head-spinning read of the Piano Sonata No. 2 ('Funeral March'). Like so much here, the music seems ...
Editorial Product Review: :Few soloists have owned composers as definitively as Artur Rubinstein could claim Chopin. Rubinstein's delivery of the composer has struck many speechless for its clarity--assurance at once that this is extraordinary, complex music and that it's likable even to general audiences (who could be easily repelled by the music in a lesser pianist's hands). The more than 150 minutes of Rubinstein's Chopin collected here are stellar, from the seductive nocturnes (recorded in 1965) to Rubinstein's head-spinning read of the Piano Sonata No. 2 ('Funeral March'). Like so much here, the music seems ...
Editorial Product Review: :Few soloists have owned composers as definitively as Artur Rubinstein could claim Chopin. Rubinstein's delivery of the composer has struck many speechless for its clarity--assurance at once that this is extraordinary, complex music and that it's likable even to general audiences (who could be easily repelled by the music in a lesser pianist's hands). The more than 150 minutes of Rubinstein's Chopin collected here are stellar, from the seductive nocturnes (recorded in 1965) to Rubinstein's head-spinning read of the Piano Sonata No. 2 ('Funeral March'). Like so much here, the music seems ...
Editorial Product Review: :Few soloists have owned composers as definitively as Artur Rubinstein could claim Chopin. Rubinstein's delivery of the composer has struck many speechless for its clarity--assurance at once that this is extraordinary, complex music and that it's likable even to general audiences (who could be easily repelled by the music in a lesser pianist's hands). The more than 150 minutes of Rubinstein's Chopin collected here are stellar, from the seductive nocturnes (recorded in 1965) to Rubinstein's head-spinning read of the Piano Sonata No. 2 ('Funeral March'). Like so much here, the music seems ...
Editorial Product Review: :Few soloists have owned composers as definitively as Artur Rubinstein could claim Chopin. Rubinstein's delivery of the composer has struck many speechless for its clarity--assurance at once that this is extraordinary, complex music and that it's likable even to general audiences (who could be easily repelled by the music in a lesser pianist's hands). The more than 150 minutes of Rubinstein's Chopin collected here are stellar, from the seductive nocturnes (recorded in 1965) to Rubinstein's head-spinning read of the Piano Sonata No. 2 ('Funeral March'). Like so much here, the music seems ...
Editorial Product Review: :Few soloists have owned composers as definitively as Artur Rubinstein could claim Chopin. Rubinstein's delivery of the composer has struck many speechless for its clarity--assurance at once that this is extraordinary, complex music and that it's likable even to general audiences (who could be easily repelled by the music in a lesser pianist's hands). The more than 150 minutes of Rubinstein's Chopin collected here are stellar, from the seductive nocturnes (recorded in 1965) to Rubinstein's head-spinning read of the Piano Sonata No. 2 ('Funeral March'). Like so much here, the music seems ...
Editorial Product Review: :Few soloists have owned composers as definitively as Artur Rubinstein could claim Chopin. Rubinstein's delivery of the composer has struck many speechless for its clarity--assurance at once that this is extraordinary, complex music and that it's likable even to general audiences (who could be easily repelled by the music in a lesser pianist's hands). The more than 150 minutes of Rubinstein's Chopin collected here are stellar, from the seductive nocturnes (recorded in 1965) to Rubinstein's head-spinning read of the Piano Sonata No. 2 ('Funeral March'). Like so much here, the music seems ...
Editorial Product Review: :Few soloists have owned composers as definitively as Artur Rubinstein could claim Chopin. Rubinstein's delivery of the composer has struck many speechless for its clarity--assurance at once that this is extraordinary, complex music and that it's likable even to general audiences (who could be easily repelled by the music in a lesser pianist's hands). The more than 150 minutes of Rubinstein's Chopin collected here are stellar, from the seductive nocturnes (recorded in 1965) to Rubinstein's head-spinning read of the Piano Sonata No. 2 ('Funeral March'). Like so much here, the music seems ...
