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Byrd: Mass for Four Voices; Mass for Five Voices; Infelix ego

(more) »rank: 102715

from: Naxos





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Handel - Coronation Anthems / Gritton, Blaze, M. George, Choir of King's College Cambridge, AAM, Cleobury

(more) »rank: 95980

by: George Frideric Handel, Stephen Cleobury, The Academy of Ancient Music, Susan Gritton, Robin Blaze





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Dufay: Missa L'homme armé; Supremum est mortalibus bonum

(more) »rank: 100122

from: Naxos





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J.S. Bach: Cantatas 79, 137, 164 & 168 [Hybrid SACD]

(more) »rank: 74542

from: Bis





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Giovanni Gabrieli: Music For San Rocco

(more) »rank: 42023

from: Archiv Produktion


Editorial Product Review: essential recording:The polychoral and antiphonal works of Giovanni Gabrieli sound best performed in the acoustics for which they were conceived, such as the Scuola Grande di San Rocco in Venice, where this splendid collection was recorded. Whether in extroverted pieces like the Sonatas 18 and 20, or the introspective and harmonically rich Domine, Deus meus, the sounds that resonate between the notes are crucial to this composer's expression. Time and again one's ears perk up at Gabrieli's genius for blending the most unlikely sonorities imaginable, such as six low voices and ...


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Machaut: La Messe de Nostre Dame; Songs from Le Voir Dit

(more) »rank: 77812

from: Naxos


Editorial Product Review: essential recording:The polychoral and antiphonal works of Giovanni Gabrieli sound best performed in the acoustics for which they were conceived, such as the Scuola Grande di San Rocco in Venice, where this splendid collection was recorded. Whether in extroverted pieces like the Sonatas 18 and 20, or the introspective and harmonically rich Domine, Deus meus, the sounds that resonate between the notes are crucial to this composer's expression. Time and again one's ears perk up at Gabrieli's genius for blending the most unlikely sonorities imaginable, such as six low voices and ...


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Bach: Cantatas, Vol. 39 [Hybrid SACD]

(more) »rank: 128628

from: Bis


Editorial Product Review: essential recording:The polychoral and antiphonal works of Giovanni Gabrieli sound best performed in the acoustics for which they were conceived, such as the Scuola Grande di San Rocco in Venice, where this splendid collection was recorded. Whether in extroverted pieces like the Sonatas 18 and 20, or the introspective and harmonically rich Domine, Deus meus, the sounds that resonate between the notes are crucial to this composer's expression. Time and again one's ears perk up at Gabrieli's genius for blending the most unlikely sonorities imaginable, such as six low voices and ...


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Bach: Lutheran Masses Vol.1

(more) »rank: 73239

by: Peter Harvey, Catherine Latham, Mark Padmore, Jane Rogers, Stephen Preston, The Purcell Quartet, Sinéad Bradbeer


Editorial Product Review: :In 1979 it was inconceivable; even in 1989 it seemed radical if not ridiculous. By 1999, however, performing Bach's choral music with one singer and player per part had started to catch on. Around 1982 Joshua Rifkin first argued that Bach composed most of his sacred music for an ensemble of soloists; when Rifkin recorded the Mass in B Minor that way, he had few defenders and many outraged detractors. Gradually other Baroque specialists such as Andrew Parrott and Jeffrey Thomas tried this approach; now the (augmented) Purcell Quartet presents Bach's four brief ...


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Thomas Adès: America: A Prophecy

(more) »rank: 25918

by: Thomas Ades, City of Birmingham Symphony Chorus


Editorial Product Review: :In 1979 it was inconceivable; even in 1989 it seemed radical if not ridiculous. By 1999, however, performing Bach's choral music with one singer and player per part had started to catch on. Around 1982 Joshua Rifkin first argued that Bach composed most of his sacred music for an ensemble of soloists; when Rifkin recorded the Mass in B Minor that way, he had few defenders and many outraged detractors. Gradually other Baroque specialists such as Andrew Parrott and Jeffrey Thomas tried this approach; now the (augmented) Purcell Quartet presents Bach's four brief ...


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Bach: Cantatas for Ascension Day

(more) »rank: 134098

from: Archiv Produktion


Editorial Product Review: :John Eliot Gardiner's original Millennium Bach Cantata Pilgrimage plan involved weekly Deutsche Grammophon recordings of all the concerts, but the plan did not prove practical. This CD of Bach's Ascension Day cantatas dates from 1993 and 1999. The pride of the disc is BWV 11: The opening chorus is an adrenaline fix of blazing, suitably ascending motifs led by studio-immaculate baroque trumpets. Thereafter, the mood changes. The alto aria 'Ach bleibe' (actually the great Agnus Dei from the Mass in B Minor) is, in countertenor Michael Chance's silky throat (1993 model), a poignant, drooping ...


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