Editorial Product Review:Album Description:This 6-CD album sets the perfect mood with some of classical music's most sensual, passionate melodies- Tchaikovsky's Romeo and Juliet, Mozart's 'Elvira Madigan' piano concerto, Debussy's Clair de Lune, Dvorak's Largo from Symphony No. 9, Puccini's Nessun Dorma, and many more, all performed by the finest artist from the EMI Classics/Virgin Classics roster! Disc 1 - FROM RUSSIA WITH ROMANCE Disc 2 - AN AUSTRO-GERMAN ROMANCE Disc 3 - A FRENCH ROMANCE Disc 4 - ROMANCE IN A COLD CLIMATE Disc 5 - ENGLAND & AMERICA IN LOVE Disc 6 - ...
Editorial Product Review: :Rautavaara (b. 1928) is one of the best composers working out of Finland today and Ondine has brought out all of his symphonies. Of course, Rautavaara is working under the shadow of Jean Sibelius, but so far he's holding his own. Symphony 1 (1957) allows its traditional tonality to stretch into occasional bursts of atonality. Symphony 2 (revised: 1984) is more energetic and consciously non-tonal. He's working here with atonal clusters instead of standard modal development patterns. It's more avant-garde. His Symphony 3 (1959-60) is a return to aspects of Romanticism but ...
Editorial Product Review: :Rautavaara (b. 1928) is one of the best composers working out of Finland today and Ondine has brought out all of his symphonies. Of course, Rautavaara is working under the shadow of Jean Sibelius, but so far he's holding his own. Symphony 1 (1957) allows its traditional tonality to stretch into occasional bursts of atonality. Symphony 2 (revised: 1984) is more energetic and consciously non-tonal. He's working here with atonal clusters instead of standard modal development patterns. It's more avant-garde. His Symphony 3 (1959-60) is a return to aspects of Romanticism but ...
Editorial Product Review: :A near contemporary of Shostakovitch, Gavril Popov found his 1934 Symphony banned by the Soviets for reflecting 'the ideology of classes hostile to us.' Popov escaped worse by toeing the line in his future compositions, but this exuberant work well deserves revival. It's long, somewhat disorganized and sprawling, but chock-full of brilliant orchestral effects and rhythmic power. The opening is reminiscent of Prokofiev's Lt. Kije, with a massive orchestral 'sneeze' followed by a snappy section that gives the band a nice workout. The long first movement has an appealing manic drive shared ...
Editorial Product Review: :Paul Creston (1906-1985) was a younger participant in the 'flowering' of American classical music in the 1930s and 1940s. But rather than aligning himself with the nostalgic, lyrical Romanticism of Aaron Copland, Roy Harris, and Howard Hanson, Creston aligned himself with the rugged, more dynamic aspects of Modernism found in the music of Walter Piston, Peter Mennin, and Samuel Barber. These three symphonies contain none of American Romanticism's melancholia or homesickness, for example, but they do remain mostly tonal and buoyant, soaring with their own energy and inventiveness, particularly Symphony No. 3 ...
Editorial Product Review: :Paul Creston (1906-1985) was a younger participant in the 'flowering' of American classical music in the 1930s and 1940s. But rather than aligning himself with the nostalgic, lyrical Romanticism of Aaron Copland, Roy Harris, and Howard Hanson, Creston aligned himself with the rugged, more dynamic aspects of Modernism found in the music of Walter Piston, Peter Mennin, and Samuel Barber. These three symphonies contain none of American Romanticism's melancholia or homesickness, for example, but they do remain mostly tonal and buoyant, soaring with their own energy and inventiveness, particularly Symphony No. 3 ...
Editorial Product Review: :Paul Creston (1906-1985) was a younger participant in the 'flowering' of American classical music in the 1930s and 1940s. But rather than aligning himself with the nostalgic, lyrical Romanticism of Aaron Copland, Roy Harris, and Howard Hanson, Creston aligned himself with the rugged, more dynamic aspects of Modernism found in the music of Walter Piston, Peter Mennin, and Samuel Barber. These three symphonies contain none of American Romanticism's melancholia or homesickness, for example, but they do remain mostly tonal and buoyant, soaring with their own energy and inventiveness, particularly Symphony No. 3 ...
Editorial Product Review: :Paul Creston (1906-1985) was a younger participant in the 'flowering' of American classical music in the 1930s and 1940s. But rather than aligning himself with the nostalgic, lyrical Romanticism of Aaron Copland, Roy Harris, and Howard Hanson, Creston aligned himself with the rugged, more dynamic aspects of Modernism found in the music of Walter Piston, Peter Mennin, and Samuel Barber. These three symphonies contain none of American Romanticism's melancholia or homesickness, for example, but they do remain mostly tonal and buoyant, soaring with their own energy and inventiveness, particularly Symphony No. 3 ...
We've covered in too much detail how it's some sort of "open season" on Vonage when it comes to VoIP patents. After dealing with ridiculous and expensive patent lawsuits from companies who failed to actually innovate in the same way Vonage did, the company was pressured by Wall Street to quickly settle the various patent lawsuits filed against the company. Of course, rather than settle matters, that simply opened the door for other companies to go searching through their patent portfolios to see if there was anything they could sue Vonage over. Indeed, following those settlements it didn't take long for AT&T to dig up a patent and sue -- which was quickly settled as well. Thought things were over? No such luck. Nortel just showed up last month to sue and it took all of about a week and a half for Vonage to settle that case as well.
The Nortel case is slightly different because Vonage actually already had a patent infringement lawsuit going against Nortel, but it wasn't really initiated by Vonage. Instead, it had been initiated by a patent holding firm that Vonage bought in 2006. The end result of the settlement doesn't involve money changing hands, but just a cross licensing agreement for the patents. So what's the big lesson that Vonage and others have learned from this? It's certainly got nothing to do with innovating. It's to hoard as many patents as possible so that you have your own nuclear stockpile for when someone else sues you. Want to know why the USPTO is overwhelmed? It's not because there aren't enough examiners (as some will claim) or that there aren't enough funds. It's because the way the system now works is that you are supposed to file patents on every tiny little advancement so you can use it to protect yourself against lawsuits from everyone else. That's not about innovation. It's about waste. In the meantime, since it's still open season at Vonage, who's going to be next? There are a ton of other patents in the VoIP space that can surely be used in a lawsuit, right?
Small and light enough for a shirt pocket, Samsung's Helix YX-M1 is a one-stop audio entertainment center with an XM radio, a digital music player, and room for 50 hours of tunes, but it comes up short on battery life.
This raw work-flow application isn't the Holy Grail many hoped it would be, but Apple Aperture 1.5 could make life easier for photographers who need to cull, retouch, and output large numbers of photographs quickly and efficiently.