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The Most Famous Opera Duets

(more) »rank: 2935

from: EMI Classics


Editorial Product Review: :This is a misnomer--not all of these duets are all that famous--but it's a fine compilation nonetheless. You'll hear selections from Bizet's The Pearl Fishers (Nicolai Gedda and Ernest Blanc at their most elegant French), Madama Butterfly (Carlo Bergonzi and Renata Scotto--an impassioned pair), Lucia di Lammermoor (a classy Alfredo Kraus and Edita Gruberova), the lovely Lakme duet, The Presentation of the Silver Rose from Der Rosenkavalier (with the earnest Christa Ludwig and the other-worldly Teresa Stich-Randall), and a fine Trovatore 'Miserere' (with Leontyne Price and Franco Bonisolli singing up a storm). ...


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Pavarotti's Opera Made Easy-My Favourite Opera For Children

(more) »rank: 8801

from: Decca


Editorial Product Review: :This is a misnomer--not all of these duets are all that famous--but it's a fine compilation nonetheless. You'll hear selections from Bizet's The Pearl Fishers (Nicolai Gedda and Ernest Blanc at their most elegant French), Madama Butterfly (Carlo Bergonzi and Renata Scotto--an impassioned pair), Lucia di Lammermoor (a classy Alfredo Kraus and Edita Gruberova), the lovely Lakme duet, The Presentation of the Silver Rose from Der Rosenkavalier (with the earnest Christa Ludwig and the other-worldly Teresa Stich-Randall), and a fine Trovatore 'Miserere' (with Leontyne Price and Franco Bonisolli singing up a storm). ...


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The Best Opera Album in the World...Ever!

(more) »rank: 15870

from: Angel Records


Editorial Product Review: :This is a misnomer--not all of these duets are all that famous--but it's a fine compilation nonetheless. You'll hear selections from Bizet's The Pearl Fishers (Nicolai Gedda and Ernest Blanc at their most elegant French), Madama Butterfly (Carlo Bergonzi and Renata Scotto--an impassioned pair), Lucia di Lammermoor (a classy Alfredo Kraus and Edita Gruberova), the lovely Lakme duet, The Presentation of the Silver Rose from Der Rosenkavalier (with the earnest Christa Ludwig and the other-worldly Teresa Stich-Randall), and a fine Trovatore 'Miserere' (with Leontyne Price and Franco Bonisolli singing up a storm). ...


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An Introduction to Der Ring des Nibelungen

(more) »rank: 45795

by: Deryck Cooke, Georg Solti, Wiener Philharmoniker, Anita Valkki, Berit Lindholm, Birgit Nilsson, Brigitte Fassbaender, Christa Ludwig, Claire Watson, Claudia Hellmann, Dame Gwyneth Jones, Dietrich Fischer-Dieskau, Eberhard Wächter, George London, Gerhard Stolze, Gottlob Frick, Grace Hoffmann, Gustav Neidlinger, Hans Hotter, Helen Watts, Helga Dernesch, Hetty Plumacher, Ira Malaniuk, James King, Jean Madeira, Joan Sutherland, Kirsten Flagstad, Kurt Böhme, Lucia Popp, Marga Höffgen, Marilyn Tyler, Maureen Guy, Oda Balsborg, Paul Kuen, Régine Crespin, Set Svanholm, Vera Little, Vera Schlosser, Waldemar Kmentt, Walter Kreppel, Vienna Philharmonic Orchestra


Editorial Product Review: :When Wagner set the Ring to music, he intended the orchestra to act in the fashion of a chorus from a classic Greek tragedy--setting the mood and commenting on the action. In order to allow a nonverbal musical line to reflect on the plot, Wagner developed a psychologically and musically complex symbology to communicate his thoughts to the listener. From the beginning the Ring has spawned numerous written commentaries on the relationships of the motif structure, but by using examples from the Decca Ring recording, Deryck Cooke's thoughtful spoken commentary is by ...


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Wagner - Der Ring des Nibelungen (Ring Cycle) / Sir Georg Solti

(more) »rank: 12738

by: Sir Georg Solti, Wiener Philharmoniker, Vienna State Opera Choir, Kirsten Flagstad, Paul Kuen, George London, Jean Madeira, Ira Malaniuk, Gustav Neidlinger, Hetty Plumacher


Editorial Product Review: essential recording:Modern storage media (CD/DVD) offer both high fidelity and great reliability in the playback of music. Yet only a bit more than a generation ago, the possibilities inherent in the long-playing record inspired John Culshaw, a young producer for Decca, to attempt the most ambitious recording project ever contemplated up to that time--a complete studio recording of the Ring. Though other Rings were issued after this landmark enterprise, none have equaled the Decca Ring in popularity. There are those who prefer live performances, or who feel that the sound and ...


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Mahler - The Symphonies / Chicago Symphony Orchestra, Sir Georg Solti

(more) »rank: 14710

by: Kiri Te Kanawa, Georg Solti, Gustav Mahler, George Solti, Chicago Symphony Orchestra, Isobel Buchanan, Mira Zakai, Arleen Auger, Heather Harper, Yvonne Minton, Lucia Popp, John Shirley-Quirk, Martti Talveala, Helga Dernesch


Editorial Product Review: :György Solti has come in for his share of hard knocks as a Mahler interpreter, and no one will pretend that he has the same sort of intuitive empathy for this music that Leonard Bernstein has. But he does have the Chicago Symphony Orchestra--no mean advantage--and many of these performances have come up sounding rather well. London also has been smart to include his first (and better) performance of the Fifth, and he generally does quite well by Symphonies Nos. 2, 6, 7, 8, and 9 as well. There may be better ...


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Der Ring des Nibelungen / Karajan / Berlin Philharmonic

(more) »rank: 46451

by: Dietrich Fischer-Dieskau, Richard Wagner, Jon Vickers, Thomas Stewart, Jess Thomas, Gundula Janowitz, Helga Dernesch, Regine Crespin, Helge Brilioth, Martti Talvela, Karl Ridderbusch, Herbert von Karajan, Berlin Philharmonic


Editorial Product Review: essential recording:DG's 20-bit transfer reveals more tape hiss than before, while the orchestral image is better focused, with more definition at the bottom end. Some have likened Herbert von Karajan's 'chamber-music approach' to Wagner's Ring cycle in terms of his scaling down or deconstructing the heroic roles. This approach has less to do with dynamics per se than it does with von Karajan's masterful balancing of voices and instruments. He achieves revelations of horizontal clarity, allowing no contrapuntal strand to emerge with an unwanted accent or a miscalibrated dynamic. The texts ...


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100 Best Opera Classics

(more) »rank: 16755

from: Emd Int'l


Editorial Product Review: essential recording:DG's 20-bit transfer reveals more tape hiss than before, while the orchestral image is better focused, with more definition at the bottom end. Some have likened Herbert von Karajan's 'chamber-music approach' to Wagner's Ring cycle in terms of his scaling down or deconstructing the heroic roles. This approach has less to do with dynamics per se than it does with von Karajan's masterful balancing of voices and instruments. He achieves revelations of horizontal clarity, allowing no contrapuntal strand to emerge with an unwanted accent or a miscalibrated dynamic. The texts ...


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Wagner: Der Ring des Nibelungen

(more) »rank: 67021

from: Decca


Editorial Product Review:Album Details:14 CD Box Set, Including the Complete Recording of Wagner's 'ring Des Nibelungen'.


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Weill - The Threepenny Opera / Kollo · Adorf · Dernesch · Lemper · Milva · Reichmann · Tremper · Boysen · RIAS · Mauceri

(more) »rank: 141318

by: Kurt Weill, John Mauceri, Ute Lemper, Milva, RIAS Berlin Sinfonietta, RIAS Kammerchor, René Kollo, Mario Adorf, Helga Dernesch, Susanne Tremper Wolfgang Reichmann, Rolf Boysen


Editorial Product Review: essential recording:The son of a cantor, Kurt Weill was one of the 20th-century lyric stage's great innovative geniuses. With Die Dreigroschenoper, he and collaborator Bertolt Brecht (and Brecht's often unacknowledged partner Elisabeth Hauptmann) created a cultural landmark that is still the most resonant emblem of the heady days of the Weimar Republic. Although Brecht has usually taken the limelight for his acerbic social satire of bourgeois complacency--adapting the 18th-century John Gay's original Threepenny Opera, itself a parody of operatic conventions--Weill's sly amalgam of jazz, cabaret, and art song idioms vividly colors ...


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We've covered in too much detail how it's some sort of "open season" on Vonage when it comes to VoIP patents. After dealing with ridiculous and expensive patent lawsuits from companies who failed to actually innovate in the same way Vonage did, the company was pressured by Wall Street to quickly settle the various patent lawsuits filed against the company. Of course, rather than settle matters, that simply opened the door for other companies to go searching through their patent portfolios to see if there was anything they could sue Vonage over. Indeed, following those settlements it didn't take long for AT&T to dig up a patent and sue -- which was quickly settled as well. Thought things were over? No such luck. Nortel just showed up last month to sue and it took all of about a week and a half for Vonage to settle that case as well.

The Nortel case is slightly different because Vonage actually already had a patent infringement lawsuit going against Nortel, but it wasn't really initiated by Vonage. Instead, it had been initiated by a patent holding firm that Vonage bought in 2006. The end result of the settlement doesn't involve money changing hands, but just a cross licensing agreement for the patents. So what's the big lesson that Vonage and others have learned from this? It's certainly got nothing to do with innovating. It's to hoard as many patents as possible so that you have your own nuclear stockpile for when someone else sues you. Want to know why the USPTO is overwhelmed? It's not because there aren't enough examiners (as some will claim) or that there aren't enough funds. It's because the way the system now works is that you are supposed to file patents on every tiny little advancement so you can use it to protect yourself against lawsuits from everyone else. That's not about innovation. It's about waste. In the meantime, since it's still open season at Vonage, who's going to be next? There are a ton of other patents in the VoIP space that can surely be used in a lawsuit, right?

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Small and light enough for a shirt pocket, Samsung's Helix YX-M1 is a one-stop audio entertainment center with an XM radio, a digital music player, and room for 50 hours of tunes, but it comes up short on battery life.

This raw work-flow application isn't the Holy Grail many hoped it would be, but Apple Aperture 1.5 could make life easier for photographers who need to cull, retouch, and output large numbers of photographs quickly and efficiently.


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Mauceri · RIAS · Boysen · Tremper · Reichmann · Milva · Lemper · Dernesch · Adorf · Kollo / Opera Threepenny The - Weill
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