Editorial Product Review: : Wanda Landowska made this first recorded version of Bach's Goldberg Variations in 1933. While she preferred her 1945 remake for RCA, this first attempt is tighter and less italicized in expression. The colorful registral shifts on her custom-made Pleyel harpsichord might have little to do with modern-day Baroque scholarship; but who cares? What rhythm this woman had--to say nothing of her remarkably independent fingers and ability to spin out long lines as if they were being sung, instead of plucked. Landowska takes some, but not all, repeats, and reiterates the first ...
Editorial Product Review: : Wanda Landowska made this first recorded version of Bach's Goldberg Variations in 1933. While she preferred her 1945 remake for RCA, this first attempt is tighter and less italicized in expression. The colorful registral shifts on her custom-made Pleyel harpsichord might have little to do with modern-day Baroque scholarship; but who cares? What rhythm this woman had--to say nothing of her remarkably independent fingers and ability to spin out long lines as if they were being sung, instead of plucked. Landowska takes some, but not all, repeats, and reiterates the first ...
Editorial Product Review: : Wanda Landowska made this first recorded version of Bach's Goldberg Variations in 1933. While she preferred her 1945 remake for RCA, this first attempt is tighter and less italicized in expression. The colorful registral shifts on her custom-made Pleyel harpsichord might have little to do with modern-day Baroque scholarship; but who cares? What rhythm this woman had--to say nothing of her remarkably independent fingers and ability to spin out long lines as if they were being sung, instead of plucked. Landowska takes some, but not all, repeats, and reiterates the first ...
Editorial Product Review: : Wanda Landowska made this first recorded version of Bach's Goldberg Variations in 1933. While she preferred her 1945 remake for RCA, this first attempt is tighter and less italicized in expression. The colorful registral shifts on her custom-made Pleyel harpsichord might have little to do with modern-day Baroque scholarship; but who cares? What rhythm this woman had--to say nothing of her remarkably independent fingers and ability to spin out long lines as if they were being sung, instead of plucked. Landowska takes some, but not all, repeats, and reiterates the first ...
Editorial Product Review: : Wanda Landowska made this first recorded version of Bach's Goldberg Variations in 1933. While she preferred her 1945 remake for RCA, this first attempt is tighter and less italicized in expression. The colorful registral shifts on her custom-made Pleyel harpsichord might have little to do with modern-day Baroque scholarship; but who cares? What rhythm this woman had--to say nothing of her remarkably independent fingers and ability to spin out long lines as if they were being sung, instead of plucked. Landowska takes some, but not all, repeats, and reiterates the first ...
Editorial Product Review: : Wanda Landowska made this first recorded version of Bach's Goldberg Variations in 1933. While she preferred her 1945 remake for RCA, this first attempt is tighter and less italicized in expression. The colorful registral shifts on her custom-made Pleyel harpsichord might have little to do with modern-day Baroque scholarship; but who cares? What rhythm this woman had--to say nothing of her remarkably independent fingers and ability to spin out long lines as if they were being sung, instead of plucked. Landowska takes some, but not all, repeats, and reiterates the first ...
Editorial Product Review: : Wanda Landowska made this first recorded version of Bach's Goldberg Variations in 1933. While she preferred her 1945 remake for RCA, this first attempt is tighter and less italicized in expression. The colorful registral shifts on her custom-made Pleyel harpsichord might have little to do with modern-day Baroque scholarship; but who cares? What rhythm this woman had--to say nothing of her remarkably independent fingers and ability to spin out long lines as if they were being sung, instead of plucked. Landowska takes some, but not all, repeats, and reiterates the first ...
Editorial Product Review: : Wanda Landowska made this first recorded version of Bach's Goldberg Variations in 1933. While she preferred her 1945 remake for RCA, this first attempt is tighter and less italicized in expression. The colorful registral shifts on her custom-made Pleyel harpsichord might have little to do with modern-day Baroque scholarship; but who cares? What rhythm this woman had--to say nothing of her remarkably independent fingers and ability to spin out long lines as if they were being sung, instead of plucked. Landowska takes some, but not all, repeats, and reiterates the first ...
