Editorial Product Review: :Strauss's last opera is one of the wonders of lyric art: an intelligent conversation piece about aesthetic principles (which is more important, words or music?) wrapped in achingly beautiful music. Its humor and drama are subtler than we're used to, but the opera is no less pleasurable for it. Capriccio's reputation as a connoisseur's piece is well served by this 1957 recording that features a superb cast led by the distinguished Straussian Elisabeth Schwarzkopf. True, she could be mannered, but the role of the Countess who must decide between the poet and ...
Editorial Product Review: :Strauss's last opera is one of the wonders of lyric art: an intelligent conversation piece about aesthetic principles (which is more important, words or music?) wrapped in achingly beautiful music. Its humor and drama are subtler than we're used to, but the opera is no less pleasurable for it. Capriccio's reputation as a connoisseur's piece is well served by this 1957 recording that features a superb cast led by the distinguished Straussian Elisabeth Schwarzkopf. True, she could be mannered, but the role of the Countess who must decide between the poet and ...
Editorial Product Review: :Strauss's last opera is one of the wonders of lyric art: an intelligent conversation piece about aesthetic principles (which is more important, words or music?) wrapped in achingly beautiful music. Its humor and drama are subtler than we're used to, but the opera is no less pleasurable for it. Capriccio's reputation as a connoisseur's piece is well served by this 1957 recording that features a superb cast led by the distinguished Straussian Elisabeth Schwarzkopf. True, she could be mannered, but the role of the Countess who must decide between the poet and ...
Editorial Product Review: essential recording:Levine has assembled a cast strong in both singing and acting, although Mirella Freni is a bit mature for the teenage Tatiana and there are no Russians in the leading roles. The conducting quite properly emphasizes the psychological and emotional extremes in a story deeply imbued with the Byronic attitudes and poses of literary Romanticism. The orchestra, in James Levine's (and Tchaikovsky's) hands becomes a character in this drama as vital as any of the singers, and Pushkin's poem-novel, the source of the opera, can be felt with unusual clarity ...
Editorial Product Review: essential recording:Levine has assembled a cast strong in both singing and acting, although Mirella Freni is a bit mature for the teenage Tatiana and there are no Russians in the leading roles. The conducting quite properly emphasizes the psychological and emotional extremes in a story deeply imbued with the Byronic attitudes and poses of literary Romanticism. The orchestra, in James Levine's (and Tchaikovsky's) hands becomes a character in this drama as vital as any of the singers, and Pushkin's poem-novel, the source of the opera, can be felt with unusual clarity ...
Editorial Product Review: essential recording:Levine has assembled a cast strong in both singing and acting, although Mirella Freni is a bit mature for the teenage Tatiana and there are no Russians in the leading roles. The conducting quite properly emphasizes the psychological and emotional extremes in a story deeply imbued with the Byronic attitudes and poses of literary Romanticism. The orchestra, in James Levine's (and Tchaikovsky's) hands becomes a character in this drama as vital as any of the singers, and Pushkin's poem-novel, the source of the opera, can be felt with unusual clarity ...
Editorial Product Review: :As remastered for EMI's Great Recordings of the Century series, this classic 1959 Carmen sounds marginally better than its previous silver disc incarnation. Tape hiss is reduced, but without any compromise in residual overtones. A/B comparisons also tipped the scales in favor of the present reissue for newfound clarity and character among the lower-pitched instruments and the choral forces. Like many conductors of his generation, Beecham viewed Carmen as grand opera, instead of opera comique, and opted for the once-ubiquitous, now-discredited Guirard recitatives. But the great conductor's ebullient pacing and light-handed orchestral ...
Editorial Product Review: :As remastered for EMI's Great Recordings of the Century series, this classic 1959 Carmen sounds marginally better than its previous silver disc incarnation. Tape hiss is reduced, but without any compromise in residual overtones. A/B comparisons also tipped the scales in favor of the present reissue for newfound clarity and character among the lower-pitched instruments and the choral forces. Like many conductors of his generation, Beecham viewed Carmen as grand opera, instead of opera comique, and opted for the once-ubiquitous, now-discredited Guirard recitatives. But the great conductor's ebullient pacing and light-handed orchestral ...
Editorial Product Review: :As remastered for EMI's Great Recordings of the Century series, this classic 1959 Carmen sounds marginally better than its previous silver disc incarnation. Tape hiss is reduced, but without any compromise in residual overtones. A/B comparisons also tipped the scales in favor of the present reissue for newfound clarity and character among the lower-pitched instruments and the choral forces. Like many conductors of his generation, Beecham viewed Carmen as grand opera, instead of opera comique, and opted for the once-ubiquitous, now-discredited Guirard recitatives. But the great conductor's ebullient pacing and light-handed orchestral ...
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