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Benjamin Britten: Three Suites for Cello Solo

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from: Globe





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Leonard Warren

(more) »rank: 518184

from: Myto Records Italy





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Beethoven: Hammerklavier, Moonlight, Pathetique Sonatas

(more) »rank: 456378

from: Chesky Records





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Sergey Rachmaninov: Piano Concerto No.2 in C Minor Op.18/Piano Concerto No.3 in D Minor Op.30

(more) »rank: 508557

from: Chandos





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Benjamin Britten: The Three Cello Suites - Pieter Wispelwey

(more) »rank: 509304

from: Globe





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Britten: Cello Suites 1, 2 & 3

(more) »rank: 474818

by: Pieter Wispelwey


Editorial Product Review: :Britten's Cello Suites were written for Mstislav Rostropovich, whose Decca recordings of the first two are nonpareil. Recently, technically assured, interpretively divergent accounts by Truls Mørk (Virgin) and Rohan de Saram (Montaigne) have won praise, and now Dutch cellist Pieter Wispelwey, who's made many admirable discs for Channel Classics, joins their company. All of Wispelwey's recordings reveal a personal touch; none more so than these Britten Suites. He can go to extremes, as in the sluggish tempos and altered rhythms of some movements. Such wayward touches should not deter, for he plays ...


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Psalms, Vol. 1

(more) »rank: 801826

from: EMI Classics Imports


Editorial Product Review: :Britten's Cello Suites were written for Mstislav Rostropovich, whose Decca recordings of the first two are nonpareil. Recently, technically assured, interpretively divergent accounts by Truls Mørk (Virgin) and Rohan de Saram (Montaigne) have won praise, and now Dutch cellist Pieter Wispelwey, who's made many admirable discs for Channel Classics, joins their company. All of Wispelwey's recordings reveal a personal touch; none more so than these Britten Suites. He can go to extremes, as in the sluggish tempos and altered rhythms of some movements. Such wayward touches should not deter, for he plays ...


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Beethoven: Variations for Cello & Piano

(more) »rank: 607684

from: Channel Classics Nl


Editorial Product Review: :Britten's Cello Suites were written for Mstislav Rostropovich, whose Decca recordings of the first two are nonpareil. Recently, technically assured, interpretively divergent accounts by Truls Mørk (Virgin) and Rohan de Saram (Montaigne) have won praise, and now Dutch cellist Pieter Wispelwey, who's made many admirable discs for Channel Classics, joins their company. All of Wispelwey's recordings reveal a personal touch; none more so than these Britten Suites. He can go to extremes, as in the sluggish tempos and altered rhythms of some movements. Such wayward touches should not deter, for he plays ...


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Lebendige Vergangenheit: Leonard Warren, Vol. 4

(more) »rank: 524979

from: Preiser Records


Editorial Product Review: :Britten's Cello Suites were written for Mstislav Rostropovich, whose Decca recordings of the first two are nonpareil. Recently, technically assured, interpretively divergent accounts by Truls Mørk (Virgin) and Rohan de Saram (Montaigne) have won praise, and now Dutch cellist Pieter Wispelwey, who's made many admirable discs for Channel Classics, joins their company. All of Wispelwey's recordings reveal a personal touch; none more so than these Britten Suites. He can go to extremes, as in the sluggish tempos and altered rhythms of some movements. Such wayward touches should not deter, for he plays ...


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Sonatas: C. Franck, J. Brahms, R. Schumann

(more) »rank: 650202

from: Channel Classics Nl


Editorial Product Review: :Contending that the cello literature needs more scope and variety, cellists have always felt free to appropriate and adapt works written for other instruments. However, some pieces are more suitable for transcription than others. So, while arrangements have become an accepted part of the repertoire, they tend to vary in quality. On this disc, Schumann's Adagio and Allegro, written for horn, is more idiomatic to the cello than the two violin sonatas, which, though masterpieces in their original version, do not really lend themselves to successful transplantation. (Not surprisingly, the transcribers are ...


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We've covered in too much detail how it's some sort of "open season" on Vonage when it comes to VoIP patents. After dealing with ridiculous and expensive patent lawsuits from companies who failed to actually innovate in the same way Vonage did, the company was pressured by Wall Street to quickly settle the various patent lawsuits filed against the company. Of course, rather than settle matters, that simply opened the door for other companies to go searching through their patent portfolios to see if there was anything they could sue Vonage over. Indeed, following those settlements it didn't take long for AT&T to dig up a patent and sue -- which was quickly settled as well. Thought things were over? No such luck. Nortel just showed up last month to sue and it took all of about a week and a half for Vonage to settle that case as well.

The Nortel case is slightly different because Vonage actually already had a patent infringement lawsuit going against Nortel, but it wasn't really initiated by Vonage. Instead, it had been initiated by a patent holding firm that Vonage bought in 2006. The end result of the settlement doesn't involve money changing hands, but just a cross licensing agreement for the patents. So what's the big lesson that Vonage and others have learned from this? It's certainly got nothing to do with innovating. It's to hoard as many patents as possible so that you have your own nuclear stockpile for when someone else sues you. Want to know why the USPTO is overwhelmed? It's not because there aren't enough examiners (as some will claim) or that there aren't enough funds. It's because the way the system now works is that you are supposed to file patents on every tiny little advancement so you can use it to protect yourself against lawsuits from everyone else. That's not about innovation. It's about waste. In the meantime, since it's still open season at Vonage, who's going to be next? There are a ton of other patents in the VoIP space that can surely be used in a lawsuit, right?

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Small and light enough for a shirt pocket, Samsung's Helix YX-M1 is a one-stop audio entertainment center with an XM radio, a digital music player, and room for 50 hours of tunes, but it comes up short on battery life.

This raw work-flow application isn't the Holy Grail many hoped it would be, but Apple Aperture 1.5 could make life easier for photographers who need to cull, retouch, and output large numbers of photographs quickly and efficiently.


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Schumann R. Brahms, J. Franck, C. Sonatas:
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