Editorial Product Review: essential recording:When not composing songs, Franz Schubert was most at home with chamber music, not because he was a miniaturist, but because his most profound thoughts were most readily contained by smaller, more concentrated ensembles. His Quintet in C--by far the great work ever written for a string quartet with an extra cello--shows him at his summit with an ethereal second movement that often communicates the sense of spiritual suspended animation that the minimalists strive for but don't often achieve. The Emerson Quartet might ...
Editorial Product Review: essential recording:When not composing songs, Franz Schubert was most at home with chamber music, not because he was a miniaturist, but because his most profound thoughts were most readily contained by smaller, more concentrated ensembles. His Quintet in C--by far the great work ever written for a string quartet with an extra cello--shows him at his summit with an ethereal second movement that often communicates the sense of spiritual suspended animation that the minimalists strive for but don't often achieve. The Emerson Quartet might ...
Editorial Product Review: essential recording:When not composing songs, Franz Schubert was most at home with chamber music, not because he was a miniaturist, but because his most profound thoughts were most readily contained by smaller, more concentrated ensembles. His Quintet in C--by far the great work ever written for a string quartet with an extra cello--shows him at his summit with an ethereal second movement that often communicates the sense of spiritual suspended animation that the minimalists strive for but don't often achieve. The Emerson Quartet might ...
Editorial Product Review: essential recording:When not composing songs, Franz Schubert was most at home with chamber music, not because he was a miniaturist, but because his most profound thoughts were most readily contained by smaller, more concentrated ensembles. His Quintet in C--by far the great work ever written for a string quartet with an extra cello--shows him at his summit with an ethereal second movement that often communicates the sense of spiritual suspended animation that the minimalists strive for but don't often achieve. The Emerson Quartet might ...
Editorial Product Review: essential recording:When not composing songs, Franz Schubert was most at home with chamber music, not because he was a miniaturist, but because his most profound thoughts were most readily contained by smaller, more concentrated ensembles. His Quintet in C--by far the great work ever written for a string quartet with an extra cello--shows him at his summit with an ethereal second movement that often communicates the sense of spiritual suspended animation that the minimalists strive for but don't often achieve. The Emerson Quartet might ...
Editorial Product Review: essential recording:When not composing songs, Franz Schubert was most at home with chamber music, not because he was a miniaturist, but because his most profound thoughts were most readily contained by smaller, more concentrated ensembles. His Quintet in C--by far the great work ever written for a string quartet with an extra cello--shows him at his summit with an ethereal second movement that often communicates the sense of spiritual suspended animation that the minimalists strive for but don't often achieve. The Emerson Quartet might ...
Editorial Product Review:Description:From The Royal Alcázar PalaceISSAC ALBÉNIZ (1860-1909)Sevilla (Sevillanas) from Suite Española, Op.47 (arr. John Williams)JOHANN SEBASTIAN BACH (1685-1750)Prelude from Lute Suite No. 4 in E Major DOMENICO SCARLATTI (1685-1757)Sonata in D Minor, K 213 (arr. John WilliamsANTONIO VIVALDI (1678-1741)Concerto in D Major for Lute, 2 Violins and Basso continuo, RV93, I. Allegro giusto • II. Largo • III. Allegro YUQUIJIRO YOCOH (1925-)Sakura Variations NIKITA KOSHKIN (1956-) Usher Waltz, Op. 29 - After Edgar Allen Poe ISSAC ALBÉNIZAsturias (Leyenda) from Suite española, Op. 47 (arr. John ...
Editorial Product Review:Description:From The Royal Alcázar PalaceISSAC ALBÉNIZ (1860-1909)Sevilla (Sevillanas) from Suite Española, Op.47 (arr. John Williams)JOHANN SEBASTIAN BACH (1685-1750)Prelude from Lute Suite No. 4 in E Major DOMENICO SCARLATTI (1685-1757)Sonata in D Minor, K 213 (arr. John WilliamsANTONIO VIVALDI (1678-1741)Concerto in D Major for Lute, 2 Violins and Basso continuo, RV93, I. Allegro giusto • II. Largo • III. Allegro YUQUIJIRO YOCOH (1925-)Sakura Variations NIKITA KOSHKIN (1956-) Usher Waltz, Op. 29 - After Edgar Allen Poe ISSAC ALBÉNIZAsturias (Leyenda) from Suite española, Op. 47 (arr. John ...
Editorial Product Review:Description:From The Royal Alcázar PalaceISSAC ALBÉNIZ (1860-1909)Sevilla (Sevillanas) from Suite Española, Op.47 (arr. John Williams)JOHANN SEBASTIAN BACH (1685-1750)Prelude from Lute Suite No. 4 in E Major DOMENICO SCARLATTI (1685-1757)Sonata in D Minor, K 213 (arr. John WilliamsANTONIO VIVALDI (1678-1741)Concerto in D Major for Lute, 2 Violins and Basso continuo, RV93, I. Allegro giusto • II. Largo • III. Allegro YUQUIJIRO YOCOH (1925-)Sakura Variations NIKITA KOSHKIN (1956-) Usher Waltz, Op. 29 - After Edgar Allen Poe ISSAC ALBÉNIZAsturias (Leyenda) from Suite española, Op. 47 (arr. John ...
Editorial Product Review:Description:From The Royal Alcázar PalaceISSAC ALBÉNIZ (1860-1909)Sevilla (Sevillanas) from Suite Española, Op.47 (arr. John Williams)JOHANN SEBASTIAN BACH (1685-1750)Prelude from Lute Suite No. 4 in E Major DOMENICO SCARLATTI (1685-1757)Sonata in D Minor, K 213 (arr. John WilliamsANTONIO VIVALDI (1678-1741)Concerto in D Major for Lute, 2 Violins and Basso continuo, RV93, I. Allegro giusto • II. Largo • III. Allegro YUQUIJIRO YOCOH (1925-)Sakura Variations NIKITA KOSHKIN (1956-) Usher Waltz, Op. 29 - After Edgar Allen Poe ISSAC ALBÉNIZAsturias (Leyenda) from Suite española, Op. 47 (arr. John ...
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