Editorial Product Review: :Few soloists have owned composers as definitively as Artur Rubinstein could claim Chopin. Rubinstein's delivery of the composer has struck many speechless for its clarity--assurance at once that this is extraordinary, complex music and that it's likable even to general audiences (who could be easily repelled by the music in a lesser pianist's hands). The more than 150 minutes of Rubinstein's Chopin collected here are stellar, from the seductive nocturnes (recorded in 1965) to Rubinstein's head-spinning read of the Piano Sonata No. 2 ('Funeral March'). Like so much here, the music seems ...
Editorial Product Review: :Few soloists have owned composers as definitively as Artur Rubinstein could claim Chopin. Rubinstein's delivery of the composer has struck many speechless for its clarity--assurance at once that this is extraordinary, complex music and that it's likable even to general audiences (who could be easily repelled by the music in a lesser pianist's hands). The more than 150 minutes of Rubinstein's Chopin collected here are stellar, from the seductive nocturnes (recorded in 1965) to Rubinstein's head-spinning read of the Piano Sonata No. 2 ('Funeral March'). Like so much here, the music seems ...
Editorial Product Review: :Few soloists have owned composers as definitively as Artur Rubinstein could claim Chopin. Rubinstein's delivery of the composer has struck many speechless for its clarity--assurance at once that this is extraordinary, complex music and that it's likable even to general audiences (who could be easily repelled by the music in a lesser pianist's hands). The more than 150 minutes of Rubinstein's Chopin collected here are stellar, from the seductive nocturnes (recorded in 1965) to Rubinstein's head-spinning read of the Piano Sonata No. 2 ('Funeral March'). Like so much here, the music seems ...
Editorial Product Review: :Few soloists have owned composers as definitively as Artur Rubinstein could claim Chopin. Rubinstein's delivery of the composer has struck many speechless for its clarity--assurance at once that this is extraordinary, complex music and that it's likable even to general audiences (who could be easily repelled by the music in a lesser pianist's hands). The more than 150 minutes of Rubinstein's Chopin collected here are stellar, from the seductive nocturnes (recorded in 1965) to Rubinstein's head-spinning read of the Piano Sonata No. 2 ('Funeral March'). Like so much here, the music seems ...
Editorial Product Review: :Few soloists have owned composers as definitively as Artur Rubinstein could claim Chopin. Rubinstein's delivery of the composer has struck many speechless for its clarity--assurance at once that this is extraordinary, complex music and that it's likable even to general audiences (who could be easily repelled by the music in a lesser pianist's hands). The more than 150 minutes of Rubinstein's Chopin collected here are stellar, from the seductive nocturnes (recorded in 1965) to Rubinstein's head-spinning read of the Piano Sonata No. 2 ('Funeral March'). Like so much here, the music seems ...
Editorial Product Review: :Bruce Hungerford was indeed a legend, although mostly among a small group of pianophiles. A pupil of Carl Friedberg and Myra Hess, Hungerford was one of the most intelligent and profound pianists of the LP era. The eight Beethoven piano sonatas included here come from Hungerford's incomplete cycle, interrupted by his sudden death. They are direct, unfancy, personal, and about as effective as any Beethoven you'll hear. The examples of Schubert, Brahms, and Chopin are just as good, and while a live Schubert Wanderer Fantasy seems a little overwrought, a live Beethoven ...
Editorial Product Review: :Bruce Hungerford was indeed a legend, although mostly among a small group of pianophiles. A pupil of Carl Friedberg and Myra Hess, Hungerford was one of the most intelligent and profound pianists of the LP era. The eight Beethoven piano sonatas included here come from Hungerford's incomplete cycle, interrupted by his sudden death. They are direct, unfancy, personal, and about as effective as any Beethoven you'll hear. The examples of Schubert, Brahms, and Chopin are just as good, and while a live Schubert Wanderer Fantasy seems a little overwrought, a live Beethoven ...
Editorial Product Review: :Bruce Hungerford was indeed a legend, although mostly among a small group of pianophiles. A pupil of Carl Friedberg and Myra Hess, Hungerford was one of the most intelligent and profound pianists of the LP era. The eight Beethoven piano sonatas included here come from Hungerford's incomplete cycle, interrupted by his sudden death. They are direct, unfancy, personal, and about as effective as any Beethoven you'll hear. The examples of Schubert, Brahms, and Chopin are just as good, and while a live Schubert Wanderer Fantasy seems a little overwrought, a live Beethoven ...
Editorial Product Review: :Bruce Hungerford was indeed a legend, although mostly among a small group of pianophiles. A pupil of Carl Friedberg and Myra Hess, Hungerford was one of the most intelligent and profound pianists of the LP era. The eight Beethoven piano sonatas included here come from Hungerford's incomplete cycle, interrupted by his sudden death. They are direct, unfancy, personal, and about as effective as any Beethoven you'll hear. The examples of Schubert, Brahms, and Chopin are just as good, and while a live Schubert Wanderer Fantasy seems a little overwrought, a live Beethoven ...
The Web Services Policy Working Group has published two Web Services Policy 1.5 - Working Drafts: an update to the Primer and a First Public Working Draft of Guidelines for Policy Assertion Authors. The new Guidelines document provides ...