Editorial Product Review: :For the parent looking to ease their child into a familiarity with classical music, this is a very well chosen set of Beethoven works. It begins with a generous selection of airs composed late in the composer's life. The presence of the flute as the lead instrument on these selections has a soothing quality that moves the ear in an ideally subtle way, especially as it gives way to the more excited piano sonata pieces. Zoltán Kocsis's reading of 'Pathétique' is followed by Claudio Arrau's take on the 7th, 15th, and 18th ...
Editorial Product Review: :Whatever the limitations of Stravinsky's baton technique, no one else on disc conjures the same bustling excitement at the outset of Petrouchka. Overlapping, polyrhythmic textures in Petrouchka and in Le Sacre du Printemps come off with Mozartian lucidity, Mendelssonian lightness, and, well, Stravinsky-esque rhythmic exactitude (notwithstanding a few hesitant entrances). The clarity partly stems from the composer's use of his leaner revised scores, helped by close-up, analytical mike work by CBS. There are, of course, slicker, more sonically opulent versions of these 20th century landmarks. And then there are Stravinsky's. --Jed Distler
Editorial Product Review:Album Description:AMPARO: Lee Ritenour and Dave Grusin with special guest stars; Joshua Bell, Chris Botti, Renee Fleming and James Taylor. Lee Ritenour and Dave Grusin are two legendary musicians primarily known for their work in jazz but also known by a broader musical community in classical crossover, film scores, instrumental and adult music. Recognized both as composers and players, they are artists with strong name recognition. AMPARO has them together again after eight years for a sequel to their Two Worlds album. Like Two Worlds; AMPARO brings music from different areas together. ...
Editorial Product Review: :The Boston Symphony was at the peak of its powers when it engaged the 34-year-old Seiji Ozawa for this 1969 recording of Petrushka, in which the orchestra's then 24-year-old assistant conductor, Michael Tilson Thomas, played the extensive solo piano part. Ozawa, in those years, was capable of striking sparks with any orchestra he faced, and there is a palpable sense of excitement to the Petrushka he uncorks here. The accounts of The Rite of Spring and Fireworks, recorded in 1968 with the Chicago Symphony, are equally dynamic and colorful. BMG's long-awaited 24/96 ...
Editorial Product Review: :The Boston Symphony was at the peak of its powers when it engaged the 34-year-old Seiji Ozawa for this 1969 recording of Petrushka, in which the orchestra's then 24-year-old assistant conductor, Michael Tilson Thomas, played the extensive solo piano part. Ozawa, in those years, was capable of striking sparks with any orchestra he faced, and there is a palpable sense of excitement to the Petrushka he uncorks here. The accounts of The Rite of Spring and Fireworks, recorded in 1968 with the Chicago Symphony, are equally dynamic and colorful. BMG's long-awaited 24/96 ...
Editorial Product Review: :The Boston Symphony was at the peak of its powers when it engaged the 34-year-old Seiji Ozawa for this 1969 recording of Petrushka, in which the orchestra's then 24-year-old assistant conductor, Michael Tilson Thomas, played the extensive solo piano part. Ozawa, in those years, was capable of striking sparks with any orchestra he faced, and there is a palpable sense of excitement to the Petrushka he uncorks here. The accounts of The Rite of Spring and Fireworks, recorded in 1968 with the Chicago Symphony, are equally dynamic and colorful. BMG's long-awaited 24/96 ...
Editorial Product Review: :The Boston Symphony was at the peak of its powers when it engaged the 34-year-old Seiji Ozawa for this 1969 recording of Petrushka, in which the orchestra's then 24-year-old assistant conductor, Michael Tilson Thomas, played the extensive solo piano part. Ozawa, in those years, was capable of striking sparks with any orchestra he faced, and there is a palpable sense of excitement to the Petrushka he uncorks here. The accounts of The Rite of Spring and Fireworks, recorded in 1968 with the Chicago Symphony, are equally dynamic and colorful. BMG's long-awaited 24/96 ...
Editorial Product Review: :The Boston Symphony was at the peak of its powers when it engaged the 34-year-old Seiji Ozawa for this 1969 recording of Petrushka, in which the orchestra's then 24-year-old assistant conductor, Michael Tilson Thomas, played the extensive solo piano part. Ozawa, in those years, was capable of striking sparks with any orchestra he faced, and there is a palpable sense of excitement to the Petrushka he uncorks here. The accounts of The Rite of Spring and Fireworks, recorded in 1968 with the Chicago Symphony, are equally dynamic and colorful. BMG's long-awaited 24/96 ...
Editorial Product Review: : This piano-playing team of five siblings could be easily dismissed as just another crossover ploy, but that would be a mistake. My initial surprise turned into an hour of pleasant listening and, on rehearings, to admiration for this unique ensemble of talented young artists. For one thing, they've got the chops to bring off some fiendishly difficult works. Listen to the way sisters Desirae and Deondra tackle modernist Witold Lutoslawski's Variations on a Theme of Paganini, or brother Ryan's colorful romp through Ginastera's tricky dance rhythms. The fivesome also achieve carefully ...
