Editorial Product Review: :It figures that the ensemble most responsible for the French Baroque revival is the one to outdo Nelson and Kirkby's legendary recording of these lamentation settings. Sophie Daneman and Patricia Petibon don't have the earlier pair's gorgeous, distinctive voices (both occasionally wobble above the staff), but they sound plenty beautiful. More importantly, they've managed to make these major-key pieces sound like lamentations. Twenty years ago, Kirkby and Nelson were pioneers: merely singing with their white tone was risky; they couldn't take many chances with rhythmic freedom. Daneman and Petibon have had time ...
Editorial Product Review: essential recording:This is Plácido Domingo's third recording of Otello and arguably his best. Besides benefiting from years of study and restudy, the older, rougher, darker Domingo voice is better suited to the role than his prettier, younger self. Also, the title character's rage always seemed a bit forced in previous recordings; not so here. His colleagues aren't always at peak level of inspiration but they're consistently excellent. Sergei Leiferkus's metallic, Russian sound is ideal for Iago: besides being sinister, he sounds like an outsider. Conductor Myung-Whun Chung is anything but a ...
Editorial Product Review: : Sarah Chang's new CD of two of the most flavorful Violin Concerti to come out of 20th-century Russia is a winner. The first movement of the Shostakovich finds Chang playing, at first, with no vibrato, and the effect is haunting and as properly spooky as the composer wanted. Her many levels of both dynamics and vibrato are very much on display throughout, and in the Scherzo, she builds to a wonderfully maniacal climax. The Passacaglia is played with ease, its cadenza beginning at a snail's pace but picking up speed as ...
Editorial Product Review: :Once described as a 'lullaby of death,' Gabriel Fauré's Requiem is a work of supreme composure that seems to illustrate the gentlest of goings into that good night. This recording bucks the current trend favoring the composer's original version for reduced chamber orchestra, offering the fully orchestrated edition from 1899. The result gives a solid, spacious context for Fauré's modal lyricism, his interplay of light and shadow, to unfold. Conductor Myun-Whung Chung at times even suggests a dark undertow of despair, as in the funereal plunge and tread of the Introit, yet ...
Editorial Product Review: :Once described as a 'lullaby of death,' Gabriel Fauré's Requiem is a work of supreme composure that seems to illustrate the gentlest of goings into that good night. This recording bucks the current trend favoring the composer's original version for reduced chamber orchestra, offering the fully orchestrated edition from 1899. The result gives a solid, spacious context for Fauré's modal lyricism, his interplay of light and shadow, to unfold. Conductor Myun-Whung Chung at times even suggests a dark undertow of despair, as in the funereal plunge and tread of the Introit, yet ...
Editorial Product Review: :Once described as a 'lullaby of death,' Gabriel Fauré's Requiem is a work of supreme composure that seems to illustrate the gentlest of goings into that good night. This recording bucks the current trend favoring the composer's original version for reduced chamber orchestra, offering the fully orchestrated edition from 1899. The result gives a solid, spacious context for Fauré's modal lyricism, his interplay of light and shadow, to unfold. Conductor Myun-Whung Chung at times even suggests a dark undertow of despair, as in the funereal plunge and tread of the Introit, yet ...
Editorial Product Review: :Once described as a 'lullaby of death,' Gabriel Fauré's Requiem is a work of supreme composure that seems to illustrate the gentlest of goings into that good night. This recording bucks the current trend favoring the composer's original version for reduced chamber orchestra, offering the fully orchestrated edition from 1899. The result gives a solid, spacious context for Fauré's modal lyricism, his interplay of light and shadow, to unfold. Conductor Myun-Whung Chung at times even suggests a dark undertow of despair, as in the funereal plunge and tread of the Introit, yet ...
Editorial Product Review: :Once described as a 'lullaby of death,' Gabriel Fauré's Requiem is a work of supreme composure that seems to illustrate the gentlest of goings into that good night. This recording bucks the current trend favoring the composer's original version for reduced chamber orchestra, offering the fully orchestrated edition from 1899. The result gives a solid, spacious context for Fauré's modal lyricism, his interplay of light and shadow, to unfold. Conductor Myun-Whung Chung at times even suggests a dark undertow of despair, as in the funereal plunge and tread of the Introit, yet ...
Editorial Product Review: :Once described as a 'lullaby of death,' Gabriel Fauré's Requiem is a work of supreme composure that seems to illustrate the gentlest of goings into that good night. This recording bucks the current trend favoring the composer's original version for reduced chamber orchestra, offering the fully orchestrated edition from 1899. The result gives a solid, spacious context for Fauré's modal lyricism, his interplay of light and shadow, to unfold. Conductor Myun-Whung Chung at times even suggests a dark undertow of despair, as in the funereal plunge and tread of the Introit, yet ...
Editorial Product Review: :Once described as a 'lullaby of death,' Gabriel Fauré's Requiem is a work of supreme composure that seems to illustrate the gentlest of goings into that good night. This recording bucks the current trend favoring the composer's original version for reduced chamber orchestra, offering the fully orchestrated edition from 1899. The result gives a solid, spacious context for Fauré's modal lyricism, his interplay of light and shadow, to unfold. Conductor Myun-Whung Chung at times even suggests a dark undertow of despair, as in the funereal plunge and tread of the Introit, yet ...
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Thanks to a rich set of features and some great new additions, Evite maintains its stature as the top service for issuing e-invitations —but competitors are catching up.
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