Editorial Product Review: :This is a remarkable collection: two and a half hours' worth of opera arias, duets, and a couple of choruses, and nary a dud among them. All the stars are here, from Alagna to Schwarzkopf, with stops at Gheorghiu, Callas, Bjoerling, Dessay, Gedda, Carreras, Popp, Domingo, Norman--and a bunch of others. And the repertoire is wisely chosen: the gorgeous Flower Duet from Lakme, de los Angeles singing Bizet's Habanera from Carmen, the famous Pearl Fishers duet (Gedda, Blanc), Wally's exit into the snow from La Wally (Callas), the Barcarolle from Tales of ...
Editorial Product Review: :A lot of pianophiles have been waiting for the reissue of this 1980 LP, Argerich's only Bach recording. She played the same Partita at her Carnegie Hall recital in the Spring of 2000, suggesting that she just doesn't play much Bach. These performances have the pianist's typical intensity of approach. Her fingers do the talking, with some dazzling clear articulation reminiscent of Glenn Gould on a good day, and she seldom blurs any of the textures. She also has a very good feeling for Bach's dance rhythms; the closing Gigue of the ...
Editorial Product Review: :Robert Shaw, despite being a fine choral conductor, was often a pretty boring interpreter--like most choral conductors, in fact. However, there were times that he really put everything together, particularly in his many fine recordings for Telarc, and this is one of the best. Of course, it helps that the music itself is largely pretty subdued, but Shaw directs a performance of exemplary clarity and genuine nobility of utterance. Gorgeous recorded sound too. --David Hurwitz
Editorial Product Review: :Grieg's 66 Lyric Pieces range from simple pretty tunes like the early 'Arietta' that opens this disc to more extended pieces like the dashing 'Wedding Day at Troldhaugen' to impressionistic miniature tone poems like the late 'Summer Evening.' Here, Andsnes plays 24 of them, well-chosen to cover a representative selection from the complete sets. He plays them beautifully, with a lovely tone, virtuoso polish when such is called for, as in the express ride of 'March of the Trolls,' and poetic depth of feeling, as in 'The Brook,' where in his interpretation ...
Editorial Product Review: :Martha Argerich first recorded the Prokofiev Third Concerto in the late '60s. Her fiery, hair-trigger playing, abetted by Claudio Abbado's incisive support with the Berlin Philharmonic in top form, set new standards for this warhorse. No one's come close to topping her extraordinary achievement, not even Argerich herself in this remake with Charles Dutoit and the Montreal Symphony Orchestra. The recording quality, for one, is less well defined. Dutoit imparts less character to the orchestral tuttis than Abbado, and Argerich's fingerwork, remarkable by anyone else's standard, is a shade more casual (compare ...
Editorial Product Review: essential recording:Robert Shaw is so dependable a guide to the masterpieces of the choral repertory that it's safe to say you can't go wrong in turning to him for Haydn's greatest work for voices. That's true even in a field crowded with solid alternatives geared to differing tastes. So if you want Haydn's original German text ('Die Schöpfung'), there are excellent performances by von Karajan on DG and Wöldike on Vanguard; for the same, with an extra dash of exuberance, there's Solti on London. If only original instruments will suffice, try ...
Editorial Product Review: essential recording:Robert Shaw is so dependable a guide to the masterpieces of the choral repertory that it's safe to say you can't go wrong in turning to him for Haydn's greatest work for voices. That's true even in a field crowded with solid alternatives geared to differing tastes. So if you want Haydn's original German text ('Die Schöpfung'), there are excellent performances by von Karajan on DG and Wöldike on Vanguard; for the same, with an extra dash of exuberance, there's Solti on London. If only original instruments will suffice, try ...
Editorial Product Review: essential recording:Robert Shaw is so dependable a guide to the masterpieces of the choral repertory that it's safe to say you can't go wrong in turning to him for Haydn's greatest work for voices. That's true even in a field crowded with solid alternatives geared to differing tastes. So if you want Haydn's original German text ('Die Schöpfung'), there are excellent performances by von Karajan on DG and Wöldike on Vanguard; for the same, with an extra dash of exuberance, there's Solti on London. If only original instruments will suffice, try ...
Editorial Product Review: :Each of these performances has its own profile. The orchestra plays incisively in the First Concerto, but Ashkenazy's plush lyricism doesn't make a good match either with the orchestra or with the music, and he makes one weird ritard in the first movement. The Second Concerto is uneventful, rather bland and pleasant. The Third Concerto seems to be the best performance of the lot, with dramatic playing by soloist and orchestra, but it's sabotaged by blurry recorded sound, the only serious problem with sound quality in the entire set. The Fourth Concerto ...
We've covered in too much detail how it's some sort of "open season" on Vonage when it comes to VoIP patents. After dealing with ridiculous and expensive patent lawsuits from companies who failed to actually innovate in the same way Vonage did, the company was pressured by Wall Street to quickly settle the various patent lawsuits filed against the company. Of course, rather than settle matters, that simply opened the door for other companies to go searching through their patent portfolios to see if there was anything they could sue Vonage over. Indeed, following those settlements it didn't take long for AT&T to dig up a patent and sue -- which was quickly settled as well. Thought things were over? No such luck. Nortel just showed up last month to sue and it took all of about a week and a half for Vonage to settle that case as well.
The Nortel case is slightly different because Vonage actually already had a patent infringement lawsuit going against Nortel, but it wasn't really initiated by Vonage. Instead, it had been initiated by a patent holding firm that Vonage bought in 2006. The end result of the settlement doesn't involve money changing hands, but just a cross licensing agreement for the patents. So what's the big lesson that Vonage and others have learned from this? It's certainly got nothing to do with innovating. It's to hoard as many patents as possible so that you have your own nuclear stockpile for when someone else sues you. Want to know why the USPTO is overwhelmed? It's not because there aren't enough examiners (as some will claim) or that there aren't enough funds. It's because the way the system now works is that you are supposed to file patents on every tiny little advancement so you can use it to protect yourself against lawsuits from everyone else. That's not about innovation. It's about waste. In the meantime, since it's still open season at Vonage, who's going to be next? There are a ton of other patents in the VoIP space that can surely be used in a lawsuit, right?
Small and light enough for a shirt pocket, Samsung's Helix YX-M1 is a one-stop audio entertainment center with an XM radio, a digital music player, and room for 50 hours of tunes, but it comes up short on battery life.
This raw work-flow application isn't the Holy Grail many hoped it would be, but Apple Aperture 1.5 could make life easier for photographers who need to cull, retouch, and output large numbers of photographs quickly and efficiently.