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The Best of Barber

(more) »rank: 35985

from: Telarc





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Mozart: Popular Music from Film

(more) »rank: 128862

from: EMI Classics





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Essential Chopin

(more) »rank: 39572

from: Decca





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100 Best Mozart

(more) »rank: 145978

from: Angel Records





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Martha Argerich and Friends Live from the Lugano Festival 2005: Chamber Music

(more) »rank: 112368

from: EMI Classics


Editorial Product Review: : Since Martha Argerich has abandoned solo recitals and studio recordings, her new CDs feature concert collaborations with like-minded friends and protégés. Whatever the negatives of such live recordings may be, the upside trumps them handily since, if we're lucky, some of the sparks generated by musicians in a concert venue will be captured. With this set drawn from the 2005 Lugano Festival we're decidedly lucky, for musical electricity courses through all three discs. There are nine works by eight composers ranging from Mendelssohn to Guastavino, all played with spontaneity and full-blooded ...


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Pierre-Laurent Aimard at Carnegie Hall

(more) »rank: 118593

from: Teldec


Editorial Product Review: :Pierre-Laurent Aimard is a remarkable pianist, and this concert, taped live at Carnegie Hall in December 2001 (and only barely touched up), is living proof. The Berg actually sounds perfectly Classical, the Beethoven is clearly, beautifully played (with only the final movement slightly lacking in thrills), and the Liszt is less aggressively showy than it can be. The two Debussy 'watery' works are gorgeous--misty yet easy to make out--and the Ligeti come across as approachable, sensible, and fascinating, instead of mere clusters of sound, which can often be the case. And nobody ...


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Telarc Classical SACD Sampler 2 [Hybrid SACD]

(more) »rank: 131311

from: Telarc


Editorial Product Review: :Pierre-Laurent Aimard is a remarkable pianist, and this concert, taped live at Carnegie Hall in December 2001 (and only barely touched up), is living proof. The Berg actually sounds perfectly Classical, the Beethoven is clearly, beautifully played (with only the final movement slightly lacking in thrills), and the Liszt is less aggressively showy than it can be. The two Debussy 'watery' works are gorgeous--misty yet easy to make out--and the Ligeti come across as approachable, sensible, and fascinating, instead of mere clusters of sound, which can often be the case. And nobody ...


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Joseph Haydn - The Creation / Kirkby, Rolfe Johnson, George, AAM, Hogwood

(more) »rank: 87751

starring: Christopher Hogwood, Emma Kirkby, Anthony Rolfe Johnson, Michael George, Kym Amps
directed by: Chris Hunt


Editorial Product Review: :Pierre-Laurent Aimard is a remarkable pianist, and this concert, taped live at Carnegie Hall in December 2001 (and only barely touched up), is living proof. The Berg actually sounds perfectly Classical, the Beethoven is clearly, beautifully played (with only the final movement slightly lacking in thrills), and the Liszt is less aggressively showy than it can be. The two Debussy 'watery' works are gorgeous--misty yet easy to make out--and the Ligeti come across as approachable, sensible, and fascinating, instead of mere clusters of sound, which can often be the case. And nobody ...


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Brahms: Alto Rhapsody; Nänie; Gesang der Parzen; Schicksalslied

(more) »rank: 32657

from: Telarc


Editorial Product Review: :Brahms's shorter choral music with orchestra remains more or less on the periphery of the basic repertoire for a few reasons. The music is difficult to program in isolation, and it's also a lot of work for relatively small return. Not that it's bad or dull--most of it is lovely, but never quite offers enough bang for your buck. This collection logically and satisfyingly offers first-rate performances of all of these warmly Romantic pieces, with Marilyn Horne, an especially distinctive soloist, in the Alto Rhapsody. A lovely disc, then, to explore at ...


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Purcell: Dido And Aeneas

(more) »rank: 152341

by: English Chamber Orchestra, Jessye Norman, Robert Aldwinckle, Della Jones, Thomas Allen, Adrian Beers, Patricia Kern, Elizabeth Gale


Editorial Product Review: :Brahms's shorter choral music with orchestra remains more or less on the periphery of the basic repertoire for a few reasons. The music is difficult to program in isolation, and it's also a lot of work for relatively small return. Not that it's bad or dull--most of it is lovely, but never quite offers enough bang for your buck. This collection logically and satisfyingly offers first-rate performances of all of these warmly Romantic pieces, with Marilyn Horne, an especially distinctive soloist, in the Alto Rhapsody. A lovely disc, then, to explore at ...


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