Editorial Product Review: :Back in the 1950s and '60s, when George Gershwin was taken for granted more than he was respected, Leonard Bernstein was one of his only champions in high-classical-music circles, and to judge from these recordings, he got away with a lot. He would seem to be attempting to out-swagger Arthur Fiedler in the jazzier passages, but on the plus side, what can sound freeze-dried with some conductors has a welcome heat here, especially in An American in Paris. That piece receives one of its best-ever recordings and sounds great in the bright, ...
Editorial Product Review: :Back in the 1950s and '60s, when George Gershwin was taken for granted more than he was respected, Leonard Bernstein was one of his only champions in high-classical-music circles, and to judge from these recordings, he got away with a lot. He would seem to be attempting to out-swagger Arthur Fiedler in the jazzier passages, but on the plus side, what can sound freeze-dried with some conductors has a welcome heat here, especially in An American in Paris. That piece receives one of its best-ever recordings and sounds great in the bright, ...
Editorial Product Review: :Back in the 1950s and '60s, when George Gershwin was taken for granted more than he was respected, Leonard Bernstein was one of his only champions in high-classical-music circles, and to judge from these recordings, he got away with a lot. He would seem to be attempting to out-swagger Arthur Fiedler in the jazzier passages, but on the plus side, what can sound freeze-dried with some conductors has a welcome heat here, especially in An American in Paris. That piece receives one of its best-ever recordings and sounds great in the bright, ...
Editorial Product Review: :Back in the 1950s and '60s, when George Gershwin was taken for granted more than he was respected, Leonard Bernstein was one of his only champions in high-classical-music circles, and to judge from these recordings, he got away with a lot. He would seem to be attempting to out-swagger Arthur Fiedler in the jazzier passages, but on the plus side, what can sound freeze-dried with some conductors has a welcome heat here, especially in An American in Paris. That piece receives one of its best-ever recordings and sounds great in the bright, ...
Editorial Product Review: :Back in the 1950s and '60s, when George Gershwin was taken for granted more than he was respected, Leonard Bernstein was one of his only champions in high-classical-music circles, and to judge from these recordings, he got away with a lot. He would seem to be attempting to out-swagger Arthur Fiedler in the jazzier passages, but on the plus side, what can sound freeze-dried with some conductors has a welcome heat here, especially in An American in Paris. That piece receives one of its best-ever recordings and sounds great in the bright, ...
Editorial Product Review: :Back in the 1950s and '60s, when George Gershwin was taken for granted more than he was respected, Leonard Bernstein was one of his only champions in high-classical-music circles, and to judge from these recordings, he got away with a lot. He would seem to be attempting to out-swagger Arthur Fiedler in the jazzier passages, but on the plus side, what can sound freeze-dried with some conductors has a welcome heat here, especially in An American in Paris. That piece receives one of its best-ever recordings and sounds great in the bright, ...
Editorial Product Review: :Listening to Murray Perahia's second volume of Bach Keyboard Concertos is akin to viewing favorite paintings that have been restored with subtle care. The music's surface remains familiar to the casual ear, yet myriad details of phrasing, color, and dynamics are aligned and calibrated anew, helped by Sony's gorgeous, vibrant sonics. Notice the pinpointed unanimity of phrasing with which the pianist and chamber orchestra imbue the main theme in the D Major concerto's third movement, and follow Perahia's cannily varied articulation of chords both here and in the G Minor concerto's outer ...
Editorial Product Review: :Listening to Murray Perahia's second volume of Bach Keyboard Concertos is akin to viewing favorite paintings that have been restored with subtle care. The music's surface remains familiar to the casual ear, yet myriad details of phrasing, color, and dynamics are aligned and calibrated anew, helped by Sony's gorgeous, vibrant sonics. Notice the pinpointed unanimity of phrasing with which the pianist and chamber orchestra imbue the main theme in the D Major concerto's third movement, and follow Perahia's cannily varied articulation of chords both here and in the G Minor concerto's outer ...
Editorial Product Review: :Listening to Murray Perahia's second volume of Bach Keyboard Concertos is akin to viewing favorite paintings that have been restored with subtle care. The music's surface remains familiar to the casual ear, yet myriad details of phrasing, color, and dynamics are aligned and calibrated anew, helped by Sony's gorgeous, vibrant sonics. Notice the pinpointed unanimity of phrasing with which the pianist and chamber orchestra imbue the main theme in the D Major concerto's third movement, and follow Perahia's cannily varied articulation of chords both here and in the G Minor concerto's outer ...
Canon's XH A1 and XH G1 are excellent camcorders for entry-level professionals and independent filmmakers, with hard-to-beat prices for what they offer.
Thanks to a rich set of features and some great new additions, Evite maintains its stature as the top service for issuing e-invitations —but competitors are catching up.
