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Freddy Kempf Plays Balakirev, Ravel & Mussorgsky [Hybrid SACD]

(more) »rank: 46241

from: Bis





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Tchaikovsky: Piano Concerto No. 1; Rachmaninoff: Piano Concerto No. 2 [Hybrid SACD]

(more) »rank: 8807

by: Sergey Rachmaninov, Kiril Kondrashin, Fritz Reiner, Van Cliburn





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Jacques Loussier Plays Bach

(more) »rank: 34400

from: Telarc





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Horowitz Live and Unedited [includes Bonus DVD]

(more) »rank: 52337

from: Sony





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Leroy Anderson: Orchestral Music 1 - Piano Concerto / The Golden Years / Fiddle-Faddle - Jeffrey Biegel, Piano / BBC Concert Orchestra / Leonard Slatkin

(more) »rank: 11208

from: Naxos American Classics


Editorial Product Review:Album Description:Leroy Anderson etched out his own unique place in American music - a composer rigorously trained in the classical tradition whose records could top the pop charts, a reclusive personality whose compositions became household words, and a meticulous craftsman who could pull one marvelous tune after another out of his hat almost at will. Here, in the first complete cycle of Anderson's orchestral music, the Anderson family has made available several pieces that the composer did not ...


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Great Recordings Of The Century - Brahms: Violin Sonatas nos 1 - 3 / Perlman, Ashkenazy

(more) »rank: 29768

by: Itzhak Perlman, Vladimir Ashkenazy


Editorial Product Review: essential recording:Itzhak Perlman is the greatest living exponent of the Romantic, sentimental style of violin playing. As in his reading of the Brahms concerto, he shows sovereign mastery in these accounts, which are characterized by intense emotion and heated expression (Perlman's warm vibrato and carefully placed portamentos quickly give him away), but are also gripping in the quiet, meditative pages. The first two sonatas' relationship to songs could easily be guessed from the way Perlman plays them ...


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Essential Tchaikovsky

(more) »rank: 9543

from: Decca


Editorial Product Review: essential recording:Itzhak Perlman is the greatest living exponent of the Romantic, sentimental style of violin playing. As in his reading of the Brahms concerto, he shows sovereign mastery in these accounts, which are characterized by intense emotion and heated expression (Perlman's warm vibrato and carefully placed portamentos quickly give him away), but are also gripping in the quiet, meditative pages. The first two sonatas' relationship to songs could easily be guessed from the way Perlman plays them ...


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Bernstein Century - Gershwin: Rhapsody in Blue, etc

(more) »rank: 19592

from: Sony


Editorial Product Review: :Back in the 1950s and '60s, when George Gershwin was taken for granted more than he was respected, Leonard Bernstein was one of his only champions in high-classical-music circles, and to judge from these recordings, he got away with a lot. He would seem to be attempting to out-swagger Arthur Fiedler in the jazzier passages, but on the plus side, what can sound freeze-dried with some conductors has a welcome heat here, especially in An American in Paris. ...


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The Ultimate Most Relaxing Classics for Kids in the Universe

(more) »rank: 17388

from: Denon Records


Editorial Product Review: :Back in the 1950s and '60s, when George Gershwin was taken for granted more than he was respected, Leonard Bernstein was one of his only champions in high-classical-music circles, and to judge from these recordings, he got away with a lot. He would seem to be attempting to out-swagger Arthur Fiedler in the jazzier passages, but on the plus side, what can sound freeze-dried with some conductors has a welcome heat here, especially in An American in Paris. ...


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Bartok: Complete Solo Piano Music

(more) »rank: 27481

from: Vox (Classical)


Editorial Product Review: :Sàndor, still active at 90 as this reissue appears, was a student of Bartók and a preferred interpreter of his music. Since this set appeared on nine LPs in the early 1960s, it has been the standard for Bartók's piano music; in this fine-sounding reissue, it still is. Sàndor can hit hard enough for such virtuoso pieces as the Piano Sonata and 'Out of Doors,' but he also retains the romantic element heard in the composer's own playing ...


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