Editorial Product Review: :PBS' #1 musical star presents a magical new special that grandparents and grandchildren can share event together! André Rieu takes listeners to a land of fairies, elves, princesses and knights, where everyone lives happily ever after! André Rieu In Wonderland features enchanting melodies recorded at Efteling, one of the world s most beautiful fairy-tale theme parks. This musical extravaganza is performed by Rieu, his Johann Strauss orchestra and choir and some fantastic soloists from the Ballet of The Vienna State Opera, The International Dance Theatre, and The Berlin Folk-Music Sparrows. Includes ...
Editorial Product Review: :The present release completes Murray Perahia's survey of Bach's six English Suites. Pianistically speaking, there's much to admire: the unruffled sonority, pinpointed technique, and an ability to spin luminous textures through fingerwork and hand balances alone, eschewing the sustain pedal. Perahia's fluent left hand may not match the rhythmic resilience of Glenn Gould's, nor do his ornaments sing out with the improvisatory confidence András Schiff brings to his equally colorful, but more measured, readings. By the same token, Perahia's perfectly judged tempos honor the music's dance origins. Yet there's a studied, self-conscious ...
Editorial Product Review:Album Description:Brahms: Sonata for 2 pianos in F minor, Op. 34b Martha Argerich (piano) & Lilya Zilbertstein (piano) Variations on a theme by Haydn, Op. 56b for 2 Pianos Martha Argerich (piano) & Polina Leschenko (piano) Lutoslawski: Variations on a Theme of Paganini for 2 Pianos Martha Argerich (piano) & Giorgia Tomassi (piano) Prokofiev: Symphony No. 1 in D major, Op. 25 'Classical' Transcribed for two pianos by Rikuya Terashima Martha Argerich (piano) & Yefim Bronfman (piano) Rachmaninov: Suite No. 2 for Two Pianos, Op. 17 Martha Argerich (piano) & Gabriela Montero ...
Editorial Product Review:Album Description:Brahms: Sonata for 2 pianos in F minor, Op. 34b Martha Argerich (piano) & Lilya Zilbertstein (piano) Variations on a theme by Haydn, Op. 56b for 2 Pianos Martha Argerich (piano) & Polina Leschenko (piano) Lutoslawski: Variations on a Theme of Paganini for 2 Pianos Martha Argerich (piano) & Giorgia Tomassi (piano) Prokofiev: Symphony No. 1 in D major, Op. 25 'Classical' Transcribed for two pianos by Rikuya Terashima Martha Argerich (piano) & Yefim Bronfman (piano) Rachmaninov: Suite No. 2 for Two Pianos, Op. 17 Martha Argerich (piano) & Gabriela Montero ...
Editorial Product Review:Album Description:Brahms: Sonata for 2 pianos in F minor, Op. 34b Martha Argerich (piano) & Lilya Zilbertstein (piano) Variations on a theme by Haydn, Op. 56b for 2 Pianos Martha Argerich (piano) & Polina Leschenko (piano) Lutoslawski: Variations on a Theme of Paganini for 2 Pianos Martha Argerich (piano) & Giorgia Tomassi (piano) Prokofiev: Symphony No. 1 in D major, Op. 25 'Classical' Transcribed for two pianos by Rikuya Terashima Martha Argerich (piano) & Yefim Bronfman (piano) Rachmaninov: Suite No. 2 for Two Pianos, Op. 17 Martha Argerich (piano) & Gabriela Montero ...
Editorial Product Review:Album Description:Brahms: Sonata for 2 pianos in F minor, Op. 34b Martha Argerich (piano) & Lilya Zilbertstein (piano) Variations on a theme by Haydn, Op. 56b for 2 Pianos Martha Argerich (piano) & Polina Leschenko (piano) Lutoslawski: Variations on a Theme of Paganini for 2 Pianos Martha Argerich (piano) & Giorgia Tomassi (piano) Prokofiev: Symphony No. 1 in D major, Op. 25 'Classical' Transcribed for two pianos by Rikuya Terashima Martha Argerich (piano) & Yefim Bronfman (piano) Rachmaninov: Suite No. 2 for Two Pianos, Op. 17 Martha Argerich (piano) & Gabriela Montero ...
Editorial Product Review:Album Description:Brahms: Sonata for 2 pianos in F minor, Op. 34b Martha Argerich (piano) & Lilya Zilbertstein (piano) Variations on a theme by Haydn, Op. 56b for 2 Pianos Martha Argerich (piano) & Polina Leschenko (piano) Lutoslawski: Variations on a Theme of Paganini for 2 Pianos Martha Argerich (piano) & Giorgia Tomassi (piano) Prokofiev: Symphony No. 1 in D major, Op. 25 'Classical' Transcribed for two pianos by Rikuya Terashima Martha Argerich (piano) & Yefim Bronfman (piano) Rachmaninov: Suite No. 2 for Two Pianos, Op. 17 Martha Argerich (piano) & Gabriela Montero ...
Editorial Product Review: essential recording:Shortly after recording these three ballet suites in 1978, Mstislav Rostropovich likened conducting the Berlin Philharmonic to driving a locomotive. You get on, and you go where it takes you, he said--but in this case, the orchestra went where he wanted it to go. The playing is magnificent, but it is the characterization, the things Rostropovich gets the players to do that they wouldn't otherwise have done, that makes these accounts so memorable. As you listen, you are transported to a different world, for no conductor understands Tchaikovsky's soul better ...
Editorial Product Review: essential recording:Shortly after recording these three ballet suites in 1978, Mstislav Rostropovich likened conducting the Berlin Philharmonic to driving a locomotive. You get on, and you go where it takes you, he said--but in this case, the orchestra went where he wanted it to go. The playing is magnificent, but it is the characterization, the things Rostropovich gets the players to do that they wouldn't otherwise have done, that makes these accounts so memorable. As you listen, you are transported to a different world, for no conductor understands Tchaikovsky's soul better ...
Editorial Product Review: :Tellingly, classical albums whose liner notes are translated into Spanish--in addition to the traditional English, French, and German--tend to be those that contain music by Spanish-speaking composers and ensembles. This distinction goes to the heart of the 'discovery' of the music of composer Silvestre Revueltas (1899-1940) during the mid-to-late 1990s, evidenced by a steady series of releases after decades of near silence. And silence does not suit Revueltas, who favored enthralling, brash, maximalist symphonic expression, and whose work will not sound entirely new to new audiences, even though his clout as a ...
