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Wagner: The Great Operas from the Bayreuth Festival

(more) »rank: 14861

from: Decca


Editorial Product Review:Album Description:A special, limited edition 33-CD box set containing all of Wagner's operas from The Flying Dutchman (1841) to his final masterpiece Parsifal (1882) in performances from the opera house created specifically for the production of Wagner's masterpieces, the Bayreuth Festival Theatre. Landmark performances by some of the greatest Wagnerians can be savored here, among them singers Birgit Nilsson, Leonie Rysanek, Anja Silja, Waltraud Meier, Astrid Varnay, Wolfgang Windgassen, Jess Thomas, James King, Ramon Vinay, Peter Hoffmann, Bernd Weikl, Theo Adam, Karl Ridderbusch, Hans Sotin and Simon Estes. The all-star roster of ...


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The Ultimate Puccini Collection

(more) »rank: 49467

by: Giacomo Puccini, Herbert von Karajan, Riccardo Chailly, Stephen Barlow, Tullio Serafin, Lorin Maazel, Sir Edward Downes, Giuseppe Patane, Zubin Mehta, Alberto Erede, John Mauceri, Plácido Domingo, José Carreras, Kiri Te Kanawa, John Alldis Choir, Luciano Pavarotti, London Philharmonic Orchestra, Bologna Community Theater Orchestra, Ettore Bastianini, Carlo Bergonzi, Renato Cesari, Fernando Corena, Cesare Siepi, Renata Tebaldi, Gianna D'Angelo, Saint Cecilia Academy Orchestra, Franco Corelli, Alfredo Mariotti, Regine Crespin, Royal Opera House Orchestra Covent Garden, London Symphony Orchestra, Maggio Musicale Fiorentino Orchestra, Rome Opera House Orchestra, Pilar Lorengar, Berlin Philharmonic Brass Ensemble, Mirella Freni, Rolando Panerai, Jussi Bjorling, Leontyne Price, Vienna Philharmonic Orchestra


Editorial Product Review: essential recording:Ordinarily, it pays to be wary of collections such as these, which often promise a lot but deliver a mishmash of disconnected excerpts. This disc, however, is something of an exception: you really do get just about all of Puccini's best arias, which is possible, because he didn't write so many operas that choosing the best moments becomes a matter of the producer's personal taste. Also, Puccini's operas are so popular that every major label has excellent complete recordings of all of them, so in making this compilation it was ...


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Puccini: Turandot

(more) »rank: 11496

from: EMI Classics


Editorial Product Review: essential recording:Ordinarily, it pays to be wary of collections such as these, which often promise a lot but deliver a mishmash of disconnected excerpts. This disc, however, is something of an exception: you really do get just about all of Puccini's best arias, which is possible, because he didn't write so many operas that choosing the best moments becomes a matter of the producer's personal taste. Also, Puccini's operas are so popular that every major label has excellent complete recordings of all of them, so in making this compilation it was ...


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An Introduction to Der Ring des Nibelungen

(more) »rank: 35231

by: Deryck Cooke, Georg Solti, Wiener Philharmoniker, Anita Valkki, Berit Lindholm, Birgit Nilsson, Brigitte Fassbaender, Christa Ludwig, Claire Watson, Claudia Hellmann, Dame Gwyneth Jones, Dietrich Fischer-Dieskau, Eberhard Wächter, George London, Gerhard Stolze, Gottlob Frick, Grace Hoffmann, Gustav Neidlinger, Hans Hotter, Helen Watts, Helga Dernesch, Hetty Plumacher, Ira Malaniuk, James King, Jean Madeira, Joan Sutherland, Kirsten Flagstad, Kurt Böhme, Lucia Popp, Marga Höffgen, Marilyn Tyler, Maureen Guy, Oda Balsborg, Paul Kuen, Régine Crespin, Set Svanholm, Vera Little, Vera Schlosser, Waldemar Kmentt, Walter Kreppel, Vienna Philharmonic Orchestra


Editorial Product Review: :When Wagner set the Ring to music, he intended the orchestra to act in the fashion of a chorus from a classic Greek tragedy--setting the mood and commenting on the action. In order to allow a nonverbal musical line to reflect on the plot, Wagner developed a psychologically and musically complex symbology to communicate his thoughts to the listener. From the beginning the Ring has spawned numerous written commentaries on the relationships of the motif structure, but by using examples from the Decca Ring recording, Deryck Cooke's thoughtful spoken commentary is by ...


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The Very Best of Franco Corelli

(more) »rank: 41908

from: EMI Classics


Editorial Product Review: :When Wagner set the Ring to music, he intended the orchestra to act in the fashion of a chorus from a classic Greek tragedy--setting the mood and commenting on the action. In order to allow a nonverbal musical line to reflect on the plot, Wagner developed a psychologically and musically complex symbology to communicate his thoughts to the listener. From the beginning the Ring has spawned numerous written commentaries on the relationships of the motif structure, but by using examples from the Decca Ring recording, Deryck Cooke's thoughtful spoken commentary is by ...


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Richard Strauss: Elektra

(more) »rank: 20584

from: Decca


Editorial Product Review: :When Wagner set the Ring to music, he intended the orchestra to act in the fashion of a chorus from a classic Greek tragedy--setting the mood and commenting on the action. In order to allow a nonverbal musical line to reflect on the plot, Wagner developed a psychologically and musically complex symbology to communicate his thoughts to the listener. From the beginning the Ring has spawned numerous written commentaries on the relationships of the motif structure, but by using examples from the Decca Ring recording, Deryck Cooke's thoughtful spoken commentary is by ...


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Wagner - Der Ring des Nibelungen (Ring Cycle) / Sir Georg Solti

(more) »rank: 16698

by: Sir Georg Solti, Wiener Philharmoniker, Vienna State Opera Choir, Kirsten Flagstad, Paul Kuen, George London, Jean Madeira, Ira Malaniuk, Gustav Neidlinger, Hetty Plumacher


Editorial Product Review: essential recording:Modern storage media (CD/DVD) offer both high fidelity and great reliability in the playback of music. Yet only a bit more than a generation ago, the possibilities inherent in the long-playing record inspired John Culshaw, a young producer for Decca, to attempt the most ambitious recording project ever contemplated up to that time--a complete studio recording of the Ring. Though other Rings were issued after this landmark enterprise, none have equaled the Decca Ring in popularity. There are those who prefer live performances, or who feel that the sound and ...


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Richard Strauss: Salome [Remastered]

(more) »rank: 69567

from: Decca


Editorial Product Review: essential recording:Modern storage media (CD/DVD) offer both high fidelity and great reliability in the playback of music. Yet only a bit more than a generation ago, the possibilities inherent in the long-playing record inspired John Culshaw, a young producer for Decca, to attempt the most ambitious recording project ever contemplated up to that time--a complete studio recording of the Ring. Though other Rings were issued after this landmark enterprise, none have equaled the Decca Ring in popularity. There are those who prefer live performances, or who feel that the sound and ...


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Tristan Und Isolde

(more) »rank: 73664

from: Deutsche Grammophon


Editorial Product Review: :Recorded in performance, but one act at a time so that the principals could sing full-out, this is one of the most electrifying opera recordings of the stereo era. Birgit Nilsson blazes as Isolde, and Wolfgang Windgassen's Act-III evocation of the delusional Tristan is heart-wrenching. Karl B'hm inspires transcendent playing from the Bayreuth forces, and the sound is stunning. --Ted Libbey


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Great Stars of Opera - Telecasts from the Bell Telephone Hour 1959-1966

(more) »rank: 27538

from: Video Artists Int'l


Editorial Product Review: :The most spectacular of the 21 operatic excerpts on this two-hour collection of Bell Telephone Hour telecasts is the last and longest--Joan Sutherland singing the Mad Scene from Lucia di Lammermoor--more than 13 minutes of incredible vocalizing, still as fresh and technically dazzling as it was when it was televised in 1962, shortly after her Metropolitan Opera debut in that role. In a sense, video recording was not Sutherland's best medium. She was not a great actress or a conventionally beautiful woman, but the video representation of her slightly awkward stage presence ...


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